nikon 70-300mm

I was tasked with shooting the pictures for the trophies at a rallycross at Bundy Hill. On this day, the weather was warm and there was no snow cover, and as the day dragged on, the course became half big bumps and half deep ruts, wreaking havoc on the cars. Here we have a Miata trying its best to do wheelies up the hill. Photo taken with a Nikon D7200 and a 70-300mm f/4.5-5.6 lens.

I attended the new SCCA Time Trials event at Gingerman Raceway, and brought along my camera to shoot event photos for the Detroit Region SCCA. Here’s a car you don’t see on the track every day: the car is a well known F Modified autocross car in the Midwest autocross circles, and I thought it was awesome that it was taking competitive laps out on Gingerman. Photo shot with a Nikon D7200 and a 70-300mm f/4.5-5.6 lens.

I attended the new SCCA Time Trials event at Gingerman Raceway, and brought along my camera to shoot event photos for the Detroit Region SCCA. On day 2, the day of the timed sessions, I rushed out to Spectator Hill to shoot cars as the last traces of the golden hour faded away. Group 1 was the lucky group to get track shots immediately after sunrise. Here, Jim takes his Ferrari 458 Italia out for timed laps, with a transponder zip-tied to the prancing horse badge. Photo shot with a Nikon D7200 and a 70-300mm f/4.5-5.6 lens.

I bought a new Nikon 70-300mm f/4.5-5.6E zoom lens, and decided to test it out by going to the Detroit Zoo and shooting some pictures of animals. I spent most of my time hanging around the polar bear pen. This female polar bear is a new addition to the Detroit Zoo, and part of a three-way trade between three zoos. She spent most of her time pacing back and forth, occasionally frolicking in what little snow was left. Photo shot with a Nikon D7200 and 70-300mm f/4.5-5.6 lens.

I bought a new Nikon 70-300mm f/4.5-5.6E zoom lens, and decided to test it out by going to the Detroit Zoo and shooting some pictures of animals. I spent most of my time hanging around the polar bear pen, of which the pen for the Arctic foxes were right next door. I like this shot of two of the Arctic foxes interacting after a lazy nap in the sun. Photo shot with a Nikon D7200 and 70-300mm f/4.5-5.6 lens.

I was tasked with shooting the pictures for the trophies at a rallycross at Bundy Hill. On this day, the weather was warm and there was no snow cover, and as the day dragged on, the course became half big bumps and half deep ruts, wreaking havoc on the cars. I like this photo a lot because you can clearly see that the inside front wheel, after this car hit a big bump while turning into a sweeper, has no weight on it and consequently locked up while all the other wheels are still spinning. Photo taken with a Nikon D7200 and a 70-300mm f/4.5-5.6 lens.

I’m slowly working through the pictures I took at last Sunday’s rallycross at Bundy Hill. The course degenerated quickly until it was half bumps and half ruts, and absolutely pounded the cars. In the initial cull, this image stood out as one of the most awesome (in a literal sense) photos. That’s got to be almost 5 inches of air underneath the inside rear wheel; I’ve seen Evos tripod on concrete, but not on dirt, never mind to this degree on dirt. Given how bumpy the course was, and who was driving the car, perhaps it wouldn’t be a surprise that a picture like this could only come at the hands of this particular driver. Photo shot with a Nikon D7200 and a 70-300mm f/4.5-5.6 lens.

For a few years, I shot white seamless portraits at Ann Arbor’s Pirate Swing. I dragged a bunch of white reflective boards to the Saturday night venue, laid them all out on the floor, set up a white background and three studio strobes, and invited the costumed dancers to cheese it up for me in front of the camera. This is one of my favorite images, if nothing more for the sheer contrast. Photo shot with a Nikon D700 and a 70-300mm f/4.5-5.6, with Pocket Wizards triggering three Alien Bees B800 strobes.

I’m… not quite sure what is going on here. This was the band for Pirate Swing, the members whom decided that they wanted a white seamless portrait of themselves. I’m sure there’s some sort of meaning here that is too deep for me to understand, so don’t ask me why one person is holding a roll of gaffer tape and another is hoisting a jar of spaghetti sauce in the air like it’s the Stanley Cup. Photo shot with a Nikon D700 and a 70-300mm f/4.5-5.6 lens.

I went to a New Years Dance party in Chicago back in 2012. Literally just weeks prior, I had taken delivery of a trio of Alien Bees studio strobes and spent an evening putting together a “portable” white seamless setup. I brought the setup to the dance party and set it up out in the hall, if I recall correctly. After some serious stumbling around for an hour, I finally got into the grove enough to shoot pictures that weren’t completely terrible. Being that today is the New Year, I thought it appropriate to share this image, taken moments after we rang in the new year, 2012. Photo shot with a Nikon D7000, a Nikon 70-300mm f/4.5-5.6 zoom lens, and a trio of Alien Bees B800 strobes triggered by Pocket Wizards.