I went with a couple of folks to a roller skating rink. Several of us dressed in our finest ugly Christmas threads, perfect for making us old people stand out from all the young, spunky teens that overwhelmingly made up the night’s roller rink population. Image was shot from the wall of the roller rink, panning the camera, and encouraging my friends to ham it up. As it’s Christmas today, I figured I’d post something appropriately festive. Picture shot on a Nikon D700 with a 24mm f/1.4 lens.
I was asked to shoot photos at one of the muddiest rallycrosses I’ve ever been to. It was so muddy, in fact, that I didn’t get to run — it was decided that Stock Front, the class I was driving that was due to run at the end of the day, would be spared the hours of undercarriage cleaning that would inevitably be needed, and that the club would clean things up in an attempt to close down the site at a reasonable hour. The mud, while making the driving agonizingly painful and slow for the competitors, did make for some very nice photos at the end of the day. To get the sensation of speed in my pictures, I was dropping my shutter speed down to 1/80 and even 1/50 of a second. Photo shot with a Nikon D7200 and a 70-300mm f/4.5-5.6 zoom lens.
Two dancers in close embrace during a Friday Night Swing social dance in downtown Ann Arbor. I love the grainy grittiness that this photo exhibits, thanks to the fact that it was shot on classic Tri-X film. I’m pretty sure that the film was developed at the box speed of 400; the dancers are well-exposed because as the resident local swing dance photog, I had the privilege of being able to bounce my flash at nearly full power off the low white ceiling. Photo was shot with a Nikon F100, a 24mm f/1.4 lens, and a SB-600 speedlight on Kodak Tri-X film.
I took a picture of this little European Ford and its owner at the Cars at Corktown car meet. As you can probably tell from the license plate, it’s a ’59 model. Photo shot on my Mamiya C220 TLR with an 80mm f/2.8 lens on Kodak Portra 400.
This Hudson’s crowning jewel is the supercharger, mounted in front of the grill for all to see. I just had to get a shot showcasing its proud presence on the outside of the car. Car was photographed when I went to the Gilmore Car Museum for the first time. Photo shot on a Mamiya C220 TLR with an 80mm f/2.8 lens on Kodak Tri-X 400.
I had to stop and take a picture of this Porsche 911 for having the most awesome (and super ’80s!) decals. Car was shot at the Cars at Corktown car meet. Picture shot on a Mamiya C220 with an 80mm f/2.8 lens on Kodak Portra 400.
I rebuilt my portfolio pages, putting together four groups of ten pictures each, grouped as Automotive, Dance, Landscape, and People. As I was whittling my favorite images down to a core of top picks, I realized that a ton of the pictures were in square format, which meant only thing — those images were shot by my TLR, the only 6×6 camera I have in the entire collection.
It got me thinking: of the pictures that would make it into the first iteration of the portfolio, which cameras took which images? And was there a pattern to what cameras I preferred for different purposes? (more…)
I managed to snap this picture of the owner and his two kids piling into this beautiful little Porsche 356, preparing to leave the Cars at Corktown event. Photo shot on a Mamiya C220 with an 80mm f/2.8 lens on Kodak Portra 400.
My friend Angela and I decided to celebrate our nation’s birthday by going to Canada during the 4th of July weekend, heading to Montreal where the Swing Riot took place. I brought along two digital cameras with me and shot other dancers on the dance floor in between my own dances. This was my favorite image from the weekend, an enthusiastic lunge to conclude a song. Photo shot on a Nikon D7000 with a Sigma 18-35mm f/1.8 lens and a Nikon SB-900 speedlight.
Sure, there were plenty of other brand new modern sports cars on the Detroit Auto Show floor, some even sitting in the Porsche booth, but this Singer Porsche was far more captivating than almost all the other cars present. I framed the shot such that the red swoop from the Dodge booth forms a little halo around the Singer. Picture shot on a Mamiya C220 TLR with an 80mm f/2.8 lens on Kodak Portra 400.